- turning
- expansion
- skeletal structure
- bagua fist form
- kyudo
we began this Saturday with some review of the bagua forest palm, to help a few people catch up and to give the rest of us an opportunity to refresh our memories. Sifu used this as a pop quiz, having each person in class take turns leading everyone else through the form. i did okay, although i took the form a little slow just to make sure i avoided any mistakes.
bagua fist form
we spent the remaining class time working on the fist form. Sifu went through what we had learned last week, taking some additional time to demonstrate the applications. he then went a few moves further into the form, again focusing on the applications.
in all actuality, the majority of class today involved applications, with everyone taking some time to practice using the techniques and get a feel for the correct body mechanics involved in applying the proper physics.
this actually was a little bit more difficult than it first seemed (it always is), particularly with one move (suspiciously similar to techniques Sifu had shown me in the bagua leg form and in long fist) that involved turning the body to facilitate a throw of the opponent (the key, just like the other times Sifu had shown me, was to make the turn with the body as a unified structure...which is consistent with the bagua fist form's emphasis on visualizing the entire body as a single fist). Kieun pointed out the technique was almost identical to one in kali (an indonesian martial art), and demonstrated it for Phunsak and me (it is similar, with the major distinction being the addition of a joint lock).
this took quite a bit of practice. but i think people managed to get everything down by the time we ended class.
kyudo
kyudo this evening was denoted by 2 major things:
- there were many more people than usual (21 tonight, which is a big increase from the numbers i'd seen last month, which had been more around 10-12); and
- people seemed unusually tense, with everyone seeming to share a certain level of stress (why, i don't know...i found it a peculiar temporary mass psychosis, of the kind my father has always claimed can be observed in human society)
Sensei also emphasized that drawing the bow is really an act of skeletal (and hence, structural) operation, and less an act of musculature. this makes it easier to draw the bow, and also allows the practitioner to do so in a way that is smoother and more stable, and hence more accurate. of course, this requires good posture and extension of the skeleton (arms, legs, girdle, spine, etc.) to properly employ the required physics.
we finished later this evening, but largely because i think there were so many people involved tonight.
1 comment:
Hey Viking!
Kali is a Filipino Art; generally for Indonesian marital arts people use the term Silat. There are great throws and sweeps in both arts too!
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