Tuesday, July 01, 2008

day 154: refinement, side B

concepts:
  • turning (yin into yang)
  • moving with contact (using energy)
  • rotation footwork (setting up rotation)
  • sinking
forms:
  • 64 palms, palms 1-4, side B
  • tournament prep
Sifu returned this week from Hawaii, and class resumed with the full complement of students.

we began the day with a full discussion regarding several administrative items:
  • the tournament. Sifu wanted to get a tally of everyone who is going to the tournament, and which events they are going to do. he wants as many people to go as possible, and to have us involved in more than 1 event. he says the Las Vegas tournament is going to be a major Wutan event, and so wants to make sure that we contribute to making it a success.
  • class for the rest of the summer. as he said before he left for vacation, he will hold class both Saturday and Sunday for the rest of the summer up until the tournament, so as to get everyone prepared.
  • equipment. for the tournament, we need 1) t-shirt maker (Sifu says if we know anyone who can silkscreen t-shirts, get a hold of them and contact him), and 2) sparring equipment (everyone involved has to get their own--a helmet, gloves, rib protector, cup, and mouthguard).
  • hotel. a hotel has been chosen, and the link to it is at Tony Yang's website. we're supposed to be getting a discount on rooms, since the tournament is being held there.
  • bus. Sifu wants to rent a charter tour bus to go to and from the tournament. this is to save money on gas, help people rest, and carry all our equipment. but it's also necessary as we will be having a much larger party of people returning from the tournament than going to (see below).
  • sifu/disciple ceremony. Sifu says that a number of people will be returning from the Las Vegas tournament with us to help him hold the sifu/disciple ceremony on that Monday (Labor Day). apparently, this is a big thing, since he hasn't done this before for various reasons. he said he wants everyone to come and observe, so as to see the process, since it's fairly formal but also meant to be a celebration.
64 palms, palms 1-4, side B

after finishing the discussion, Sifu had us continue working on 64 palms, side B. for today, he said to review palms 1-4. after working with the baji students for awhile, he returned to observe us, and then made the following observations:
  • turning (yin into yang)--this point was made in reference to palm 1, but it also applies to the other palms (particularly palms 1-6, sides A & B). the form ends going from leaf covers summer flower into the closing stance (which is the starting stance). Sifu says there should be a turn into leaf covers summer flower as well as a turn going out of it. the turn into the technique is going away from the direction of the opponent, meaning yin, and the turn going out of it is in the direction of the opponent, meaning yang. this should be a reflection that the initiation of the technique in the opening/closing stance should be done with a slight yin energy (i.e., slight yielding) to receive and read the opponent before proceeding into a yang state to attack to the opponent.
  • moving with contact (using energy)--this was in reference to palm 2b, although it's a basic principle in internal martial arts. in palm 2b, there is a sequence of 4 movements: black tiger steals the heart, cloud crosses, mountain road, white snake spits its tongue, and effortlessly support the silver water jar. Sifu said we were doing each of these by recoiling first. he said this is actually wrong, since it means breaking the sequence into 4 separate techniques, and hence breaking contact with the opponent. the sequence of movements is supposed to represent a series of actions flowing continuously from one to another, so that the practitioner is moving while maintaining constant contact with the opponent. but more than this, you are actually moving using the contact: Sifu noted the central idea is that you are using the opponent's body as a source of energy to drive your own movements--in effect, you are using the opponent's body and momentum as a springboard to drive your actions, such that you are using the opponent's energy to add to yours.
  • rotation footwork (setting up rotation)--this was raised in describing alternative applications out of palm 3b's white snake coils in its den. this technique employs the dragon stance. Sifu said the dragon stance can be interpreted as setting up a turn--not just into the direction of the leading foot (as done in palm 3b, which goes from white snake coils in its den to green dragon turns its body), but also away. in essence, the dragon stance can be seen as the opening step creating potential energy for rotation, with the footwork creating the position from which the practitioner can unwind in a direction away from the opponent's body. this means that the dragon stance is not a delimiter in the direction of rotation, as so offers options in terms of what can be done--Sifu demonstrated a throw, very similar to classic aikido throws.
  • sinking--this applied for all the palms today. Sifu stressed that many of the techniques should be done with a slight sinking into their closing stances, with the sinking being into the kua (or hip and pelvic cradle). this creates a yin component to help draw the opponent's yang attack, and so helps to receive and control their movements.
we practiced these palms, as well as some of the applications Sifu showed us, which were comprised largely of throws to take attackers down. this took the bulk of class time, and filled out the remainder of the day.

tournament prep

we finished the day with an impromptu sparring round--actually, it was just me and Simon trying to fit in some sparring as everyone left. Simon had acquired the full regalia of equipment and so had everything to go. i had everything except the helmet, so we just agreed to not attack my head.

i decided to focus today on throws, since we'd been practicing this in class today, and i wanted to try and actually learn how to throw an opponent within a full-speed setting. to be quite honest, this is still a complete mystery to me, and i'm still sorting out just what is involved in trying to use take-down throws in a free-form full-contact scenario--it's one thing to understand theory and know applications, but it's another thing entirely to actually have a good enough grasp of things to actually employ them in self-defense.

Simon got the better of me today, in the sense that he was able to do more using punches and kicks than i was using throws. i noticed that i could receive and direct his strikes, but i couldn't engage a throw--at least, not often enough to have any confidence in the techniques. if it had been a tournament setting, or even a real self-defense situation, i would have definitely been in trouble. there was a number of things i learned:
  • in employing throws, the priority is to break the opponent's centerline (i.e., their structure). if you don't destabilize the opponent, they will have a base from which they can resist you, turning the throw into a basic lock-up of both fighters, creating a classic force-on-force confrontation (Sifu's conception of a "bull fight")--with the stronger opponent being the victor. breaking the opponent's structure denies the opponent a base from which they can resist, allowing you to exert force without opposition. from a theoretical perspective, i can describe it this way: a stable structure is wuji, or a state of solid energy or nothing, meaning there is nothing to work with in terms of your yin and yang actions; in contrast, an unstable structure is a division into yin and yang, meaning there is something for you to work with and manipulate with your own yin and yang movements.
  • you don't break the centerline focusing on hands and feet, or arms and legs. you break the centerline by positioning of your body. the limbs are just vehicles to position your body. once they set the position, your body then acts as a single entity to break the enemy's structure. this is because your limbs individually are not always strong enough to push or pull an opponent--especially a strong one, a stable one, or resisting one, especially if they know how to use physics. you have to generate more power using your entire body (limbs and torso) as a single integrated mass, and do so in a way that everything works in unison to apply the requisite physics...something not always easy in a full-speed full-contact environment.
  • a throw is about the setup. again: it is about the setup. this means getting into the opponent's gate (by finding an opening in a gate, or luring them into opening a gate), positioning yourself, and breaking their structure. the take-down is just the reward that comes from the closing movements. this, of course, is pretty much the same for all of martial arts--punches, kicks, joint locks, etc. the infliction of damage to the opponent is just a byproduct of the setup...and this is really nothing more than the steps that we've talked about in class: ting, hwa, na, and fa jing, with the setup being ting, hwa, and na jing. the lesson is that the goal isn't the final step--the projection of power, or the infliction of injury, or the punch, or kick, or joint lock, or throw; the goal is really the setup. because the setup sets the stage for what will happen...it's almost biblical: the setup determines the finish, the beginning is the end, the alpha is the omega, the cycle is without end.
  • there is a certain window of opportunity in which to execute the throw. if it doesn't happen within that time, you have to get out or change techniques, otherwise you've left yourself stationary, and thus in a precarious position. by being caught in a stationary position, you're making it easier for the opponent to recognize and react to your actions. and the better the opponent, the better they can recognize and react, and thus the smaller the window of opportunity. as a result, once the window closes, you have to escape and move on to something else.
  • it's one thing to know what to do, it's another thing to actually do it. it's easier said than done, and easier visualized than done. and it's only through actual experience that you realize what issues are specific to you as a person (i.e., what may be a problem for one person may not be the same as a problem for another person), and what issues you need to focus on fixing. i'm going to have to keep working on my throws. they just are counter-intuitive to my instincts, which are to hit the opponent. throws, much like grappling (which, incidentally, leads me to think grappling is going to be another problem area for me), involve a different mindset of receiving the opponent--and by receiving i mean engaging close to the opponent (closer than you do with close-range punches) and then manipulating the opponent, which entails sustained contact rather than the staccato contact of punches.
by this time people were leaving, so we called things to a close and went as a group to the post-class lunch.

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